With the exception of the Hubble Footer, most Pictures contained on these Austen Novels webpages are from the Turner Bequest of the Tate Museum Collection Online.
According to the first paragraph of the Wikipedia entry for J. M. W. Turner,
... Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism ...
Details of and links to all Austen-Novel Pictures are found either in the Pictures 3B or the present Pictures 3B Group II webpages.
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This Page:— Pictures 3B Group II,
Northanger Abbey and the last of Jane Austen's Novels
JMW Turner c 1825
Title: Bolton Abbey, Yorkshire
Medium: Watercolour on paper;
Dimensions: Support 280 x 394 mm
Collection: Board of Trustees of the National Museums and Galleries on Merseyside (Lady Lever Art Gallery)
Turner Worldwide
Reference: TW0791, Wilton 788
JMW Turner c 1815
Title: View of Farnley Hall in the Valley of the Wharfe in Yorkshire
Medium: Watercolour on paper;
Dimensions: Support 280 x 398 mm
Collection: Rijksmuseum Amsterdam
Turner Worldwide
Reference: TW0952, Wilton 613
JMW Turner, 1827
Title: Portrait of a Young Lady Playing the Pianoforte
Medium: Gouache and watercolour on paper
Dimensions: Support 194 x 140 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22701, Turner Bequest CCXLIV 39
JMW Turner 1809
Title: Bolton Abbey
Medium: Watercolour and Bodycolour on paper
Dimensions: support 278 x 395 mm
Collection: The British Museum Turner Worldwide
Reference: TW0400, Wilton 532
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Details of all Pictures shown below are also shown on their respective webpage.
Northanger Abbey Part One: The Deadly Sin of Avarice, and 'Aura'
JMW Turner, circa 1818
Title: Otley Lodge and Bridge designed by Turner
Medium: Bodycolour on paper
Dimensions: Support 329 x 444 mm
Private Collection, Turner Worldwide
Reference: TW0241, Wilton 588
JMW Turner, 1827
Title: Bedroom with Japanese Laquer Cabinet: A Bed with Yellow Curtains
Medium: Gouache and watercolour on paper;
Dimensions: Support 138 x 190 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference D22734 Turner Bequest CCXLIV 72
JMW Turner, 1827
Title: At Petworth: Morning Light through the Windows
Medium: Gouache and watercolour on paper
Dimensions: support: 140 x 191 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22774 Turner Bequest CCXLIV 112
JMW Turner, 1827
Title: The North Gallery at Night: Figures Contemplating Flaxman's Statue, 'St Michael Overcoming Satan'
Medium: Ink, watercolour and bodycolour on paper
Dimensions: support: 141 x 192 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22687
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— Northanger
Abbey Part Two: Theme, Characters, Plot
JMW Turner c 1825
Title: Bolton Abbey, Yorkshire
Medium: Watercolour on paper;
Dimensions: Support 280 x 394 mm
Collection: Board of Trustees of the National Museums and Galleries on Merseyside (Lady Lever Art Gallery)
Turner Worldwide
Reference: TW0791, Wilton 788
JMW Turner c 1815
Title: View of Farnley Hall in the Valley of the Wharfe in Yorkshire
Medium: Watercolour on paper;
Dimensions: Support 280 x 398 mm
Collection: Rijksmuseum Amsterdam
Turner Worldwide
Reference: TW0952, Wilton 613
JMW Turner, c. 1818
Title: Carriage Drive, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 293 x 409 mm
Private Collection, Turner Worldwide
Reference: TW0253, Wilton 601
JMW Turner 1809
Title: Bolton Abbey
Medium: Watercolour and Bodycolour on paper
Dimensions: support 278 x 395 mm
Collection: The British Museum
Turner Worldwide
Reference: TW0400, Wilton 532
Blaise Castle
Wikipedia
The Castle at Blaise Castle Estate
mid-July 2008
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—
Northanger Abbey Part Three: Film, Fairy Tale, Myth and Happily Ever After
JMW Turner, exhibited 1798
Title: Refectory of Kirkstall Abbey, Yorkshire
Medium: Graphite and watercolour on paper
Dimensions: Support 448 x 651 mm
Collection: The Trustees of Sir John Soane's Museum
Turner Worldwide, Reference TW 0528, Wilton 234
JMW Turner, 1827
Title: At Petworth: Morning Light through the Windows
Medium: Gouache and watercolour on paper
Dimensions: support: 140 x 191 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22774 Turner Bequest CCXLIV 112
JMW Turner, 1797
Kirkstall Abbey South Aisle and Nave from the South Transept
Medium: Graphite on paper
Dimensions: Support 368 x 262 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
View this artwork in the Tweed and Lakes Sketchbook
Reference D01083
Turner Bequest XXXV 81
JMW Turner, circa 1797
Title: Transept of Ewenny Priory, Glamorganshire
Medium: Watercolour over pencil on paper
Dimensions: 40.1 x 55.7 cm
Collection Amgueddfa Cymru — National Museum Wales (Cardiff, UK)
Turner Worldwide
Reference: NMW A 1734
Cover Art, DVD
Amazon.com Northanger Abbey 2007 Masterpiece Theatre
also
Wikipedia, Film Northanger Abbey 2007
Gustave Doré (1832-1883)
The Complete Fairy Tales by Charles Perrault, with a new
translation by Christopher Betts, Oxford University Press
<— At left Reading the tales to the family, Frontispiece
—>
At right Front cover of dust jacket, also Page 102, Red Riding Hood
is surprised to see what her Grandmother looks like
[from my website
Fairy Tale and Myth — Pictures-2]
Cover Art, DVD
Amazon.co.uk The Mrchant of Venice 2004 UK Region 2
— also —
Wikipedia, Film The Merchant of Venice 2004
— also —
Wikipedia The Merchant of Venice, William Shakespeare, believed to have been written
between 1596 and 1598
In the Nathaniel Hawthorne version of the Midas myth,
Midas's daughter turns to a statue when he touches her.
Illustration by Walter Crane for the 1893 edition.
Citation and Picture from Wikipedia, Midas
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—
Northanger Abbey Part Four: Architecture ... and Absences
JMW Turner, 1827
The Somerset Room: Looking into the Square Dining Room and
Beyond to the Grand Staircase
Medium: Watercolour and bodycolour on paper
Dimensions: Support 139 x 189 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
Reference D22735
On Loan to Art Gallery of South Australia (Adelaide,
Australia)
JMW Turner, ?exhibited 1795
Title: Transept of Tintern Abbey, Monmouthshire
Medium: Watercolour, graphite and pen and ink on paper
Dimensions: Support 355 x 260 mm
Collection: The Ashmolean Museum, Oxford
Turner Worldwide, Reference TW0689 Wilton 58
JMW Turner, 1827
Title: A Bedroom: A Lady Dressed in Black Standing in a Room with a Green-Curtained
Bed — a Figure in the Doorway, 1827
Medium: Gouache and watercolour on paper
Dimensions: Support 138 x 192 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22745 Turner Bequest CCXLIV 83
JMW Turner, 1827
Title: The Grand Staircase: From the Bedroom Landing
Medium: Gouache and watercolour on paper
Dimensions: support: 143 x 187 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22756 Turner Bequest CCXLIV 94
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