With the exception of the Hubble Footer, most Pictures on the Pride and Prejudice webpages are from the Turner Bequest of the Tate Museum Collection Online. And yet, for a reason which I don't pretend to understand, the vast majority of Pictures chosen for these Austen Novels webpages are from Private Collections, whose generous owners have made available to the public, through the said Tate Online website, beautiful digital copies and descriptions as to medium and dimensions of the remaining Turner works.
According to the first paragraph of the Wikipedia entry for J. M. W. Turner,
... Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism ...
I could go on, but when an amateur has nothing of value to add, it's best to defer to the experts.
Thumbnails and details of all Pictures shown below are also shown on their respective webpage.
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This Page:— Pictures 3B,
Pride and Prejudice versus everything else
JMW Turner, c. 1787
Title: View of Nuneham Courtenay from the Thames
[From Oxford and Other Subjects]
Medium: Gouache, graphite and watercolour on paper
Dimensions: Support 320 x 451 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00002 Turner Bequest 1B
JMW Turner, c. 1791
Title: Cote House, near Bristol
Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21
JMW Turner, 1827
Title: Portrait of a Young Lady Playing the Pianoforte
Medium: Gouache and watercolour on paper
Dimensions: Support 194 x 140 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22701, Turner Bequest CCXLIV 39
JMW Turner, exhibited 1796
Title: Woolverhampton, Staffordshire (High Green, Wolverhampton)
Medium: Watercolour and pen on paper
Dimensions: Support 318 x 419 mm
Collection Wolverhampton Art Galleries and
Museums
Turner Worldwide, Reference TW0860, Wilton 139
References 3B:—
Pride and Prejudice versus everything else
JMW Turner ?1787-8
Title: Oxford from the South-West
[From
Oxford and Other Subjects]
Medium: Graphite, watercolour and pen and ink on paper
Dimensions: Support 364 x 511 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
On loan to National Gallery of Australa,
(Canberra, Australia) Theme: Turner, The Making of a Master 1 June to 8 September 2013
Reference: D00047_10, Turner Bequest III B
JMW Turner, c. 1791
Title: Cote House, near Bristol
Medium: Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21
JMW Turner, c. 1799-1801
Title: Christ Church, Oxford, from Merton Fields, c. 1790
[From
Oxford and Other Subjects]
Medium: Graphite and watercolour on paper
Dimensions: Support 298 x 384 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00115, Turner Bequest VIIIA
JMW Turner, c. 1787
Title: View of Nuneham Courtenay from the Thames
[From Oxford and Other Subjects]
Medium: Gouache, graphite and watercolour on paper
Dimensions: Support 320 x 451 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00002, Turner Bequest IB
HomePage 3B:—
Pride and Prejudice versus everything else
JMW Turner ?1787-8
Title: Oxford from the South-West
[From
Oxford and Other Subjects]
Medium: Graphite, watercolour and pen and ink on paper
Dimensions: Support 364 x 511 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
On loan to National Gallery of Australa,
(Canberra, Australia) Theme: Turner, The Making of a Master 1 June to 8 September 2013
Reference: D00047_10, Turner Bequest III B
JMW Turner, c. 1791
Title: Cote House, near Bristol
Medium: Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21
JMW Turner, c. 1799-1801
Title: Christ Church, Oxford, from Merton Fields, c. 1790
[From
Oxford and Other Subjects]
Medium: Graphite and watercolour on paper
Dimensions: Support 298 x 384 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00115, Turner Bequest VIIIA
JMW Turner, c. 1787
Title: View of Nuneham Courtenay from the Thames
[From Oxford and Other Subjects]
Medium: Gouache, graphite and watercolour on paper
Dimensions: Support 320 x 451 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00002, Turner Bequest IB
— Introduction 3B; Damned with
Faint Praise: Pride and Prejudice Yesterday and Today
JMW Turner, exhibited 1798
Title: Refectory of Kirkstall Abbey, Yorkshire, exhibited 1798
Medium: Graphite and watercolour on paper
Dimensions: Support 448 x 651 mm
Collection: The Trustees of Sir John Soane's Museum
Turner Worldwide, Reference TW 0528, Wilton 234
JMW Turner, c. 1799-1801
Title: Christ Church, Oxford, from Merton Fields, c. 1790
[From
Oxford and Other Subjects]
Medium: Graphite and watercolour on paper
Dimensions: Support 298 x 384 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00115, Turner Bequest VIII A
JMW Turner, c. 1797
Title: Workmen Lunching in a Gravel Pit, c. 1797
Medium: Graphite and watercolour on paper
Dimensions: Support 434 x 373 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00876, Turner Bequest XXXIII E
JMW Turner, c. 1815
Title: At Farnley (a Frontispiece) 1815
Medium: Watercolour, graphite, pen and ink and scratching on paper
Dimensions: Support 178 x 242 mm
Collection The Ashmolean Museum, Oxford
Turner Worldwide, Reference TW0710, Wilton 582
— The Seven Very
Different Novels of Jane Austen
JMW Turner, c. 1787
Title: View of Nuneham Courtenay from the Thames
[From Oxford and Other Subjects]
Medium: Gouache, graphite and watercolour on paper
Dimensions: Support 320 x 451 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00002 Turner Bequest 1B
JMW Turner, c. 1791
Title: Cote House, near Bristol
Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21
JMW Turner, ?1798
A Gothic Arch in Mr. Wyndham's Garden at Salisbury, ?1798
Medium: Gouache, graphite and watercolour on paper;
Dimensions: Support 477 x 329 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference D02350
JMW Turner, exhibited 1796
Title: Woolverhampton, Staffordshire (High Green, Wolverhampton)
Medium: Watercolour and pen on paper
Dimensions: Support 318 x 419 mm
Collection Wolverhampton Art Galleries and
Museums
Turner Worldwide, Reference TW0860, Wilton 139
— Demonic Possession
in the Novels of Jane Austen
JMW Turner, circa 1818
Title: Farnley in the Old Time
Medium: Bodycolour on paper
Dimensions: unconfirmed 278 x 393 mm
Private Collection, Turner Worldwide
Reference: TW0262, Wilton 629
JMW Turner, 1815
Title: Front Door and Porch, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 268 x 320 mm
Private Collection, Turner Worldwide
Reference: TW0237, Wilton 584
JMW Turner, ?1798
A Gothic Arch in Mr. Wyndham's Garden at Salisbury, ?1798
Medium: Gouache, graphite and watercolour on paper;
Dimensions: Support 477 x 329 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference D02350
JMW Turner, 1818
Title: Farnley Hall from the East
Medium: Bodycolour and chalk on paper
Support: 311 x 394 mm
Private Collection, Turner Worldwide
Reference: TW0240, Wilton 587
— Jane Austen and the
Seven Deadly Sins
JMW Turner, 1827
Title: A Bedroom: A Lady Dressed in Black Standing in a Room with a Green-Curtained
Bed — a Figure in the Doorway, 1827
Medium: Gouache and watercolour on paper
Dimensions: Support 138 x 192 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22745 Turner Bequest CCXLIV 83
[separate detail from right and left sections of watercolour]
JMW Turner, 1827
Title: A Bedroom with a Fire Burning and a Bed with Yellow Curtains
Medium: Gouache and watercolour on paper
Dimensions: Support 142 x 190 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22734 Turner Bequest CCXLIV 76
JMW Turner, 1827
Title: A Bedroom: The Empty Bed
Medium: Gouache and watercolour on paper
Dimensions: Support 138 x 191 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D22777
— Pride
and Prejudice Part One: Theme, Characters, Plot
JMW Turner, 1827
The Old Library: A Vase of Lilies, Dahlias and Other Flowers 1827
Medium: Watercolour and bodycolour on paper;
Support 139 x 188 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference D22685
JMW Turner, 1827
The Lady in Pink: Conversation in the White Library 1827
Medium: Gouache and watercolour on paper;
Dimensions: Support 141 x 194 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference D22688
JMW Turner, 1827
Title: A Man Seated at a Table in the Old Library
Medium: Gouache and watercolour on paper;
Dimensions: Support 141 x 191 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference D22691
JMW Turner, 1827
Fire-light and Lamp-light 1827
Medium: Gouache and watercolour on paper;
Dimensions: Support 139 x 193 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference D22703
— Pride
and Prejudice Part Two: The Deadly Sin of Pride ... and 'Aura'
JMW Turner, circa 1818
Title: Farnley in the Old Time
Medium: Bodycolour on paper
Dimensions: unconfirmed 278 x 393 mm
Private Collection, Turner Worldwide
Reference: TW0262, Wilton 629
JMW Turner, 1815
Title: Front Door and Porch, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 268 x 320 mm
Private Collection, Turner Worldwide
Reference: TW0237, Wilton 584
JMW Turner, c. 1828
Title: Richmond Hill and Bridge
Medium: Watercolour and bodycolour heightened with white on paper
Dimensions: Support 291 x 435 mm
Collection The British Museum
Turner Worldwide, Reference TW 0015, Wilton 21
[In addition to the watercolour of Richmond Hill and Bridge shown above, The British Museum is featuring at present an exhibition of artifacts from Pompeii and Herculaneum. A photograph by Judy Turner of the excavations at Herculaneum is shown on my Main or Index page, chosen to illustrate the method of my Sandsifter Five selections.]
JMW Turner, 1818
Title: Farnley Hall from the East
Medium: Bodycolour and chalk on paper
Support: 311 x 394 mm
Private Collection, Turner Worldwide
Reference: TW0240, Wilton 587
— Pride
and Prejudice Part Three: Film, Fairy Tale, and Happily Ever After
JMW Turner, exhibited 1798
Title: Refectory of Kirkstall Abbey, Yorkshire, exhibited 1798
Medium: Graphite and watercolour on paper
Dimensions: Support 448 x 651 mm
Collection: The Trustees of Sir John Soane's Museum
Turner Worldwide, Reference TW 0528, Wilton 234
JMW Turner, 1815
Title: Front Door and Porch, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 268 x 320 mm
Private Collection, Turner Worldwide
Reference: TW0237, Wilton 584
JMW Turner, circa 1818
Title: Farnley in the Old Time
Medium: Bodycolour on paper
Dimensions: unconfirmed 278 x 393 mm
Private Collection, Turner Worldwide
Reference: TW0262, Wilton 629
JMW Turner, 1827
The Lady in Pink: Conversation in the White Library 1827
Medium: Gouache and watercolour on paper;
Dimensions: Support 141 x 194 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference D22688
— Pride
and Prejudice Part Four: Architecture, Absences
JMW Turner, circa 1818
Title: Otley Lodge and Bridge designed by Turner
Medium: Bodycolour on paper
Dimensions: Support 329 x 444 mm
Private Collection, Turner Worldwide
Reference: TW0241, Wilton 588
JMW Turner, circa 1818
Title: Farnley in the Old Time
Medium: Bodycolour on paper
Dimensions: unconfirmed 278 x 393 mm
Private Collection, Turner Worldwide
Reference: TW0262, Wilton 629
JMW Turner, 1798
Title: Harewood House from the South-West
Medium: Graphite and watercolour and pen on paper
Dimensions: Support 510 x 654 mm
Collection Harewood House Trust
Turner Worldwide, Reference TW 0297, Wilton 219
JMW Turner, c. 1818
Title: The Old Dairy, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 275 x 390 mm
Private Collection, Turner Worldwide
Reference: TW0252, Wilton 599
— Sense
and Sensibility Part One: The Deadly Sin of Envy ... and 'Aura'
JMW Turner, circa 1818
Title: Otley Lodge ['West Lodge'] and Bridge [Designed by Turner]
Medium: Bodycolour on paper
Dimensions: support: 329 x 444 mm
Private Collection, Turner Worldwide
Reference: TW0241, Wilton 588
JMW Turner, c. 1818
Title: Carriage Drive, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 293 x 409 mm
Private Collection, Turner Worldwide
Reference: TW0253, Wilton 601
JMW Turner, c. 1828
Title: Gateway to the Flower Garden at Farnley
Medium: Bodycolour and chalk on paper
Dimensions: Unconfirmed 320 x 406 mm
Private Collection, Turner Worldwide
Reference: TW0238, Wilton 585
— Sense
and Sensibility Part Two: Theme, Characters, Plot
JMW Turner, 1789
Title: Radley Hall from the South-East 1789
Medium: Watercolour on paper
Dimensions: support: 330 x 510 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00049, Turner Bequest III D
JMW Turner, 1789
Title: Radley Hall from the North-West 1789
Medium: Pen and ink and Watercolour on paper
Dimensions: support: 374 x 532 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00048, Turner Bequest III C
— Sense
and Sensitivity Part Three: Film, Fairy Tale, and Happily Ever After
JMW Turner, 1789
Title: Radley Hall from the North-West 1789
Medium: Pen and ink and Watercolour on paper
Dimensions: support: 374 x 532 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00048, Turner Bequest III C
JMW Turner, 1789
Title: Radley Hall from the South-East 1789
Medium: Watercolour on paper
Dimensions: support: 330 x 510 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference: D00049, Turner Bequest III D
Cover Art, DVD
Amazon.com Sense and Sensibility 1995 Special Edition
also
Wikipedia, Film Sense and Sensibility 1995
also
The Worldwide Guild to Movie Locations:—
Movie Locations Sense and Sensibility 1995
— Sense
and Sensitivity Part Four: Architecture, Absences
JMW Turner, c. 1791
Title: View of Cote House, Captain Fowler's Seat, Seen Through Trees [Gate opened]
Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21
JMW Turner, 1791
Title: Cote House Seen through Trees 1791 [Gate closed]
From Bristol and Malmesbury Sketchbook
Medium: Watercolour on paper;
Dimensions: Support 185 x 263 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints
and Drawings Room
Reference D00096 Turner Bequest VI 17 a
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Sandsifter Five Retrospectives