JMW Turner, View of Nuneham Courtenay from the Thames, cropped

JMW Turner c. 1791
Cote House, near Bristol

Turner, Cote House, near Bristol

JMW Turner, 1827
Portrait of a Young Lady


Turner, Portrait of a Young Lady at the Pianoforte

 
  [Lydia] saw, with the creative eye of fancy ... the streets of that gay bathing-place [Brighton] covered with officers. She saw herself the object of attention, to tens and to scores of them at present unknown ... and, to complete the view, she saw herself seated beneath a tent, tenderly flirting wth at least six officers at once.
         —

   Jane Austen
    Pride and Prejudice
    Volume II Chapter 18
    [ch. 41 of 61]


Turner, Woolverhampton, Staffordshire

Pictures 3B

Pride and Prejudice versus everything else


With the exception of the Hubble Footer, most Pictures on the Pride and Prejudice webpages are from the Turner Bequest of the Tate Museum Collection Online.   And yet, for a reason which I don't pretend to understand, the vast majority of Pictures chosen for these Austen Novels webpages are from Private Collections, whose generous owners have made available to the public, through the said Tate Online website, beautiful digital copies and descriptions as to medium and dimensions of the remaining Turner works.

According to the first paragraph of the Wikipedia entry for J. M. W. Turner,

... Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism ...

I could go on, but when an amateur has nothing of value to add, it's best to defer to the experts.

Thumbnails and details of all Pictures shown below are also shown on their respective webpage.

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This Page:— Pictures 3B, Pride and Prejudice versus everything else
Thumbnail, Nuneham Courtenay from the Thames JMW Turner, c. 1787
Title: View of Nuneham Courtenay from the Thames
[From Oxford and Other Subjects]
Medium: Gouache, graphite and watercolour on paper
Dimensions: Support 320 x 451 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00002 Turner Bequest 1B


Thumbnail, Cote House, near Bristol, c. 1791 JMW Turner, c. 1791
Title: Cote House, near Bristol
Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21


Thumbnail, Portrait Young Lady at Piano JMW Turner, 1827
Title: Portrait of a Young Lady Playing the Pianoforte
Medium: Gouache and watercolour on paper
Dimensions: Support 194 x 140 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D22701, Turner Bequest CCXLIV 39


Thumbnail, Woolverhampton, Staffordshire, exhibited 1796 JMW Turner, exhibited 1796
Title: Woolverhampton, Staffordshire (High Green, Wolverhampton)
Medium: Watercolour and pen on paper
Dimensions: Support 318 x 419 mm
Collection Wolverhampton Art Galleries and Museums
Turner Worldwide, Reference TW0860, Wilton 139


References 3B:— Pride and Prejudice versus everything else
Thumbnail, Oxford from South-West JMW Turner   ?1787-8
Title: Oxford from the South-West
[From Oxford and Other Subjects]
Medium: Graphite, watercolour and pen and ink on paper
Dimensions: Support 364 x 511 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
On loan to National Gallery of Australa, (Canberra, Australia) Theme: Turner, The Making of a Master 1 June to 8 September 2013
Reference: D00047_10, Turner Bequest III B


Thumbnail, Cote House, near Bristol, c. 1791 JMW Turner, c. 1791
Title: Cote House, near Bristol
Medium: Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21


Thumbnail, Christ Church, Oxford, from Merton Fields JMW Turner, c. 1799-1801
Title: Christ Church, Oxford, from Merton Fields, c. 1790
[From Oxford and Other Subjects]
Medium: Graphite and watercolour on paper
Dimensions: Support 298 x 384 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00115, Turner Bequest VIIIA


Thumbnail, Nuneham Courtenay from the Thames JMW Turner, c. 1787
Title: View of Nuneham Courtenay from the Thames
[From Oxford and Other Subjects]
Medium: Gouache, graphite and watercolour on paper
Dimensions: Support 320 x 451 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00002, Turner Bequest IB


HomePage 3B:— Pride and Prejudice versus everything else
Thumbnail, Oxford from South-West JMW Turner   ?1787-8
Title: Oxford from the South-West
[From Oxford and Other Subjects]
Medium: Graphite, watercolour and pen and ink on paper
Dimensions: Support 364 x 511 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
On loan to National Gallery of Australa, (Canberra, Australia) Theme: Turner, The Making of a Master 1 June to 8 September 2013
Reference: D00047_10, Turner Bequest III B


Thumbnail, Cote House, near Bristol, c. 1791 JMW Turner, c. 1791
Title: Cote House, near Bristol
Medium: Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21


Thumbnail, Christ Church, Oxford, from Merton Fields JMW Turner, c. 1799-1801
Title: Christ Church, Oxford, from Merton Fields, c. 1790
[From Oxford and Other Subjects]
Medium: Graphite and watercolour on paper
Dimensions: Support 298 x 384 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00115, Turner Bequest VIIIA


Thumbnail, Nuneham Courtenay from the Thames JMW Turner, c. 1787
Title: View of Nuneham Courtenay from the Thames
[From Oxford and Other Subjects]
Medium: Gouache, graphite and watercolour on paper
Dimensions: Support 320 x 451 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00002, Turner Bequest IB


— Introduction 3B; Damned with Faint Praise: Pride and Prejudice Yesterday and Today
Thumbnail, Refectory Kirkstall Abbey JMW Turner, exhibited 1798
Title: Refectory of Kirkstall Abbey, Yorkshire, exhibited 1798
Medium: Graphite and watercolour on paper
Dimensions: Support 448 x 651 mm
Collection: The Trustees of Sir John Soane's Museum
Turner Worldwide, Reference TW 0528, Wilton 234


Thumbnail, Christ Church, Oxford, from Merton Fields JMW Turner, c. 1799-1801
Title: Christ Church, Oxford, from Merton Fields, c. 1790
[From Oxford and Other Subjects]
Medium: Graphite and watercolour on paper
Dimensions: Support 298 x 384 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00115, Turner Bequest VIII A


Thumbnail, Workmen Lunching in a Gravel Pit, c. 1797 JMW Turner, c. 1797
Title: Workmen Lunching in a Gravel Pit, c. 1797
Medium: Graphite and watercolour on paper
Dimensions: Support 434 x 373 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00876, Turner Bequest XXXIII E


Thumbnail, At Farnley (a Frontispiece) JMW Turner, c. 1815
Title: At Farnley (a Frontispiece) 1815
Medium: Watercolour, graphite, pen and ink and scratching on paper
Dimensions: Support 178 x 242 mm
Collection The Ashmolean Museum, Oxford
Turner Worldwide, Reference TW0710, Wilton 582


— The Seven Very Different Novels of Jane Austen
Thumbnail, Nuneham Courtenay from the Thames JMW Turner, c. 1787
Title: View of Nuneham Courtenay from the Thames
[From Oxford and Other Subjects]
Medium: Gouache, graphite and watercolour on paper
Dimensions: Support 320 x 451 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00002 Turner Bequest 1B


Thumbnail, Cote House, near Bristol, c. 1791 JMW Turner, c. 1791
Title: Cote House, near Bristol
Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21


Thumbnail, Gothic Arch in Mr. Wyndham's Garden at Salisbury  JMW Turner, ?1798
A Gothic Arch in Mr. Wyndham's Garden at Salisbury, ?1798
Medium: Gouache, graphite and watercolour on paper;
Dimensions: Support 477 x 329 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference D02350


Thumbnail, Woolverhampton, Staffordshire, exhibited 1796 JMW Turner, exhibited 1796
Title: Woolverhampton, Staffordshire (High Green, Wolverhampton)
Medium: Watercolour and pen on paper
Dimensions: Support 318 x 419 mm
Collection Wolverhampton Art Galleries and Museums
Turner Worldwide, Reference TW0860, Wilton 139


— Demonic Possession in the Novels of Jane Austen
Thumbnail, Farnley in Old Time JMW Turner, circa 1818
Title: Farnley in the Old Time
Medium: Bodycolour on paper
Dimensions: unconfirmed 278 x 393 mm
Private Collection, Turner Worldwide
Reference: TW0262, Wilton 629


Thumbnail, Front Door and Porch Farnley JMW Turner, 1815
Title: Front Door and Porch, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 268 x 320 mm
Private Collection, Turner Worldwide
Reference: TW0237, Wilton 584


Thumbnail, Gothic Arch in Mr. Wyndham's Garden at Salisbury  JMW Turner, ?1798
A Gothic Arch in Mr. Wyndham's Garden at Salisbury, ?1798
Medium: Gouache, graphite and watercolour on paper;
Dimensions: Support 477 x 329 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference D02350


Thumbnail, Farnley Hall from the East JMW Turner, 1818
Title: Farnley Hall from the East
Medium: Bodycolour and chalk on paper
Support: 311 x 394 mm
Private Collection, Turner Worldwide
Reference: TW0240, Wilton 587


— Jane Austen and the Seven Deadly Sins
Thumbnail, Bedroom, Lady in BlackJMW Turner, 1827
Title: A Bedroom: A Lady Dressed in Black Standing in a Room with a Green-Curtained Bed — a Figure in the Doorway, 1827
Medium: Gouache and watercolour on paper
Dimensions: Support 138 x 192 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D22745 Turner Bequest CCXLIV 83


[separate detail from right and left sections of watercolour]
Thumbnail, A Bedroom with Fire Burning and Bed with Yellow Curtains, 1827 JMW Turner, 1827
Title: A Bedroom with a Fire Burning and a Bed with Yellow Curtains
Medium: Gouache and watercolour on paper
Dimensions: Support 142 x 190 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D22734 Turner Bequest CCXLIV 76


Thumbnail, Turner, Bedroom: Empty Bed, 1827 JMW Turner, 1827
Title: A Bedroom: The Empty Bed
Medium: Gouache and watercolour on paper
Dimensions: Support 138 x 191 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D22777


Pride and Prejudice Part One: Theme, Characters, Plot
Thumbnail, Old Library Vase  JMW Turner, 1827
The Old Library: A Vase of Lilies, Dahlias and Other Flowers 1827
Medium: Watercolour and bodycolour on paper;
Support 139 x 188 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference D22685


Thumbnail, The Lady in Pink, Conversation in the White Library  JMW Turner, 1827
The Lady in Pink: Conversation in the White Library 1827
Medium: Gouache and watercolour on paper;
Dimensions: Support 141 x 194 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference D22688


Thumbnail, Man Old Library JMW Turner, 1827
Title: A Man Seated at a Table in the Old Library
Medium: Gouache and watercolour on paper;
Dimensions: Support 141 x 191 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference D22691


Thumbnail, Fire-light and Lamp-light  JMW Turner, 1827
Fire-light and Lamp-light 1827
Medium: Gouache and watercolour on paper;
Dimensions: Support 139 x 193 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference D22703


Pride and Prejudice Part Two: The Deadly Sin of Pride ... and 'Aura'
Thumbnail, Farnley in Old Time JMW Turner, circa 1818
Title: Farnley in the Old Time
Medium: Bodycolour on paper
Dimensions: unconfirmed 278 x 393 mm
Private Collection, Turner Worldwide
Reference: TW0262, Wilton 629


Thumbnail, Front Door and Porch Farnley JMW Turner, 1815
Title: Front Door and Porch, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 268 x 320 mm
Private Collection, Turner Worldwide
Reference: TW0237, Wilton 584



Thumbnail, Richmond Hill and Bridge, c. 1828 JMW Turner, c. 1828
Title: Richmond Hill and Bridge
Medium: Watercolour and bodycolour heightened with white on paper
Dimensions: Support 291 x 435 mm
Collection The British Museum
Turner Worldwide, Reference TW 0015, Wilton 21

[In addition to the watercolour of Richmond Hill and Bridge shown above, The British Museum is featuring at present an exhibition of artifacts from Pompeii and Herculaneum.   A photograph by Judy Turner of the excavations at Herculaneum is shown on my Main or Index page, chosen to illustrate the method of my Sandsifter Five selections.]


Thumbnail, Farnley Hall from the East JMW Turner, 1818
Title: Farnley Hall from the East
Medium: Bodycolour and chalk on paper
Support: 311 x 394 mm
Private Collection, Turner Worldwide
Reference: TW0240, Wilton 587


Pride and Prejudice Part Three: Film, Fairy Tale, and Happily Ever After
Thumbnail, Refectory Kirkstall Abbey JMW Turner, exhibited 1798
Title: Refectory of Kirkstall Abbey, Yorkshire, exhibited 1798
Medium: Graphite and watercolour on paper
Dimensions: Support 448 x 651 mm
Collection: The Trustees of Sir John Soane's Museum
Turner Worldwide, Reference TW 0528, Wilton 234


Thumbnail, Front Door and Porch Farnley JMW Turner, 1815
Title: Front Door and Porch, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 268 x 320 mm
Private Collection, Turner Worldwide
Reference: TW0237, Wilton 584


Thumbnail, Farnley in Old Time JMW Turner, circa 1818
Title: Farnley in the Old Time
Medium: Bodycolour on paper
Dimensions: unconfirmed 278 x 393 mm
Private Collection, Turner Worldwide
Reference: TW0262, Wilton 629


Thumbnail, The Lady in Pink, Conversation in the White Library  JMW Turner, 1827
The Lady in Pink: Conversation in the White Library 1827
Medium: Gouache and watercolour on paper;
Dimensions: Support 141 x 194 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference D22688


Pride and Prejudice Part Four: Architecture, Absences
Thumbnail, Otley Lodge and Bridge designed by Turner JMW Turner, circa 1818
Title: Otley Lodge and Bridge designed by Turner
Medium: Bodycolour on paper
Dimensions: Support 329 x 444 mm
Private Collection, Turner Worldwide
Reference: TW0241, Wilton 588


Thumbnail, Farnley in Old Time JMW Turner, circa 1818
Title: Farnley in the Old Time
Medium: Bodycolour on paper
Dimensions: unconfirmed 278 x 393 mm
Private Collection, Turner Worldwide
Reference: TW0262, Wilton 629


Thumbnail, Harewood House from the South-West 1798 JMW Turner, 1798
Title: Harewood House from the South-West
Medium: Graphite and watercolour and pen on paper
Dimensions: Support 510 x 654 mm
Collection Harewood House Trust
Turner Worldwide, Reference TW 0297, Wilton 219


Thumbnail, The Old Dairy, Farnley Hall East Front JMW Turner, c. 1818
Title: The Old Dairy, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 275 x 390 mm
Private Collection, Turner Worldwide
Reference: TW0252, Wilton 599



Sense and Sensibility Part One: The Deadly Sin of Envy ... and 'Aura'
Thumbnail, Otley Lodge West and Bridge JMW Turner, circa 1818
Title: Otley Lodge ['West Lodge'] and Bridge [Designed by Turner]
Medium: Bodycolour on paper
Dimensions: support: 329 x 444 mm
Private Collection, Turner Worldwide
Reference: TW0241, Wilton 588


Thumbnail, Carriage Drive, Farnley JMW Turner, c. 1818
Title: Carriage Drive, Farnley
Medium: Bodycolour on paper
Dimensions: unconfirmed 293 x 409 mm
Private Collection, Turner Worldwide
Reference: TW0253, Wilton 601



Thumbnail, Gateway to Flower Garden, Farnley, c. 1815 JMW Turner, c. 1828
Title: Gateway to the Flower Garden at Farnley
Medium: Bodycolour and chalk on paper
Dimensions: Unconfirmed 320 x 406 mm
Private Collection, Turner Worldwide
Reference: TW0238, Wilton 585


Sense and Sensibility Part Two: Theme, Characters, Plot
Thumbnail, Radley Hall from the south-east JMW Turner, 1789
Title: Radley Hall from the South-East 1789
Medium: Watercolour on paper
Dimensions: support: 330 x 510 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00049, Turner Bequest III D


Thumbnail, Radley Hall from the north-west JMW Turner, 1789
Title: Radley Hall from the North-West 1789
Medium: Pen and ink and Watercolour on paper
Dimensions: support: 374 x 532 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00048, Turner Bequest III C


Sense and Sensitivity Part Three: Film, Fairy Tale, and Happily Ever After
Thumbnail, Radley Hall from the north-west JMW Turner, 1789
Title: Radley Hall from the North-West 1789
Medium: Pen and ink and Watercolour on paper
Dimensions: support: 374 x 532 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00048, Turner Bequest III C


Thumbnail, Radley Hall from the south-east JMW Turner, 1789
Title: Radley Hall from the South-East 1789
Medium: Watercolour on paper
Dimensions: support: 330 x 510 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference: D00049, Turner Bequest III D


Thumbnail, Cover art, DVD <em>Sense and Sensibility</em> 1995 Cover Art, DVD
Amazon.com Sense and Sensibility 1995 Special Edition
    also
Wikipedia, Film Sense and Sensibility 1995
    also
The Worldwide Guild to Movie Locations:—
Movie Locations Sense and Sensibility 1995



Sense and Sensitivity Part Four: Architecture, Absences
Thumbnail, Cote House, near Bristol, c. 1791 JMW Turner, c. 1791
Title: View of Cote House, Captain Fowler's Seat, Seen Through Trees [Gate opened]
Watercolour and pen on paper
Dimensions: Support 292 x 255 mm
Collection Trustees of the Cecil Higgins Art Gallery, Bedford, England
Turner Worldwide, Reference TW 0015, Wilton 21


Thumbnail, Cote House seen through trees  JMW Turner, 1791
Title: Cote House Seen through Trees 1791 [Gate closed]
From Bristol and Malmesbury Sketchbook
Medium: Watercolour on paper;
Dimensions: Support 185 x 263 mm
Collection: Tate, Accepted by the nation as part of the Turner Bequest 1856
View by appointment at Tate Britain's Prints and Drawings Room
Reference D00096 Turner Bequest VI 17 a


    [To be continued next with Northanger Abbey and the last of Jane Austen's Novels
          New Webpage Pictures 3B, Group II]

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    [WebPage last amended January 28th, 2014]

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